Articulations
Here is a sampler of note articulations:
**kern 4ff' 4ff^ 4ff` 4ff~ 4ff'~ 4ff'^ 4ff^^ 4ff; = *- |
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Articulations can be place on the opposite side of their automatic location by adding RDF entries to force the articulation above or below the notehead:
**kern 4f'> 4ff^< 4f`> 4ff~< 4f'~> 4ff'^< 4f^^> 4ff;< = *- !!!RDF**kern: < = below !!!RDF**kern: > = above |
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Hiding articulations
Articulations can be hidden by adding a single y after the articulation.
**kern *M4/4 =1 16f'LL 16cc' 16a' 16cc'JJ !LO:TX:b:i:t=simile 16f'yLL 16cc'y 16a'y 16cc'yJJ 16f'yLL 16cc'y 16a'y 16cc'yJJ 16f'yLL 16cc'y 16a'y 16cc'yJJ *- |
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A more efficient system of hiding articulations can be done using
*Xartic and *artic interpretations. The *Xartic interpretation
can be used to suppress display of multiple articulations on a staff
until an *artic interpretation is found on the staff. The text
simile can be shown in the notation by adding it to the
*Xartic:simile interpretation:
**kern *M4/4 =1 16f'LL 16cc' 16a' 16cc'JJ *Xartic:simile 16f'LL 16cc' 16a' 16cc'JJ 16f'LL 16cc' 16a' 16cc'JJ 16f'LL 16cc' 16a' 16cc'JJ *artic =2 4c' 4d' 4e' 4f' =3 !! Not showing simile *Xartic 4c' 4d' 4e' 4f' = *- |
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Regular/Textual tenutos
Regular tenuto articulations are encoded as a tilde (~). When the tenuto
is written as “ten.”, use a double tilde (~~):
**kern 4e~ 4e~~ =- *- |
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Additional articulations
Here are examples of additional note articulations:
**kern **vdata **vdata 1b"" "" snap pizz. = = = *- *- *- |
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